It just reads like a Fables comic, and that's never a bad thing.Īfter playing through the original Resident Evil 4 dozens of times on everything from GameCube to Meta Quest 2 VR, Brian Altano got to go hands-on with the first 45 minutes of Capcom's highly anticipated next-gen remake of this modern classic of survival-horror action. I can say that the issue never feels oddly paced, as if it's trying overly hard to mimic the beats of a game. On a final note, I have no experience with The Wolf Among Us in game form, so I can't speak to how much has changed in this adaptation or how closely the visuals adhere to the game's presentation. The panels are smaller and more cluttered, and the art isn't given quite as much room to breathe.
The whimsical page borders go a long way towards creating that effect. Artists like Mark Buckingham are able to create a storybook feel despite the often mature dialogue and themes. Fables is normally a very vertically-oriented comic.
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Unfortunately, the digital format didn't really do the series any favors. All three tend to rely on fairly dramatic angles that keep even the dialogue-driven scenes visually interesting. All three pencillers are capable enough when it comes to bringing the story to life. Of the three artists, McManus's style is the most traditionally Fables-esque, though Sadowski and Travis Moore's work is more in keeping with the darker tone of the script. Steve Sadowski sets the visual tone with his thick blacks and heavy shadows, while Shawn McManus follows up with a somewhat lighter and looser approach. The shift from one to the next can be a bit jarring, especially as the chapter transitions aren't all that obvious in the script. This issue features three different pencillers, one for each chapter. Luckily, this noir element is there to offset that sense of familiarity and give the book its forward momentum. At times The Wolf Among Us feels almost too familiar when held against early issues of the main series. There's the loner hero, the seedy New York backdrop, the femme fatale who drops into said her's lap, and the overwhelming sense that all of this is building towards a grim conclusion. The Wolf Among Us plays out like a detective noir in many ways. It's that last pairing that really gives this book its flavor. And above all, these issues are driven by the relationship between Bigby and a mysterious working girl who wanders into his path. Toad (now reduced to the humble status of a tenement landlord). There's a great, caustic relationship between Bigby and Mr. We see the bizarre friendship between the lone wolf and Colin the pig. We see more of the rivalry between Bigby and his hated enemy, the Woodsman.
For the most part, however, Bigby's interactions involve characters who play smaller roles (or no role at all) in the main series. That colors his interaction with characters like Snow White and Beauty. Bigby is still very much an outcast among the Fables at this stage, the subject of plenty of mistrust and outright scorn. The writers are more interested in exploring the character dynamics. Newcomers will learn all they need to immediately know about Fabletown and its residents without being burdened by too much discussion of the Adversary and other conflicts that came to dominate the main series.
The premise allows co-writers Matthew Sturges and Dave Justus to rehash the basics of the franchise and the main characters without breaking the flow of the story. Once again, Bigby has a mystery to investigate, though one slightly less dramatic than the murder mystery that drove the first arc of Fables. The series flashes back to a time when the Fables still hid out their secret New York enclave and Bigby Wolf was the sheriff.
The Wolf Among Us #1 opens much in the same way the original Fables #1 did way back in 2002.
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